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Writer's pictureMetal Sphere

Review: At the Plates 'Omnivore'



At the Plates has emerged from the depths of the metal kitchen with their latest culinary creation, Omnivore. Initially a solo project by the talented guitarist, drummer, and bassist Tony Rouse, the band has transformed into a formidable three-piece, delivering a savory feast of culinary-themed death metal. While their debut, Starch Enemy, playfully danced with pun-filled humor, this follow-up reveals a more mature and expansive palette, dispelling any notion that At The Plates is merely a novelty act.


In a nod to the Swedish death metal pioneers At the Gates, much like Cannibis Corpse riffing on Cannibal Corpse, At the Plates pays homage while carving their distinct mark on the genre. The band's unwavering commitment to their food-themed concept is palpable, and while the initial humor may grab the listener, it swiftly becomes apparent that Omnivore is a serious musical endeavor.


The album commences with the atmospheric sounds of a gas stove clicking and knives chopping in "With Their Cutlets, He'll Marinate." This smoothly transitions into a dynamic interplay of guitar and kick drums, highlighting remarkable contrasts between slow and fast segments. The bass guitar and drums, especially during the blast beats, showcase exceptional synergy. This opening track establishes the tone for the entire album—a death metal canvas painted with lyrical explorations of food, spanning from indulgence to overeating, buffets to frying, and the inevitable connection to mortality.



"Kitchen Gone" propels the band into a more melodic death metal territory, featuring excellent guitar riffs and arrangements. "Terminal Filet Disease" employs nasty and bitter slow tempos, complemented by captivating guitar melodies and grunted shrieks. "Roastwell 47" exhibits technical brilliance, alternating between stomping brutality and intricate musical insight. "Open Buffet Surgery" kicks off as a Vomitory-style death metal basher and incorporates death and thrash metal elements. Meanwhile, "Incarnated Syrup Abuse" seamlessly melds an old-school metal melody with a thrashy rhythm, standing out as a notable highlight. "Punish My Waistline" delivers a sharp and strident sound reminiscent of the Grave and Bolt Thrower styles.

While Omnivore adds a sprinkle of humor, don't mistake At the Plates as just a comedy act. The album reflects the band's maturity and musical prowess, delivering a refined and formidable sound. Look beyond the clever song titles, and you'll discover the real charm in their intricate compositions, powerful performances, and the seamless fusion of diverse elements offered here. Dive into this wicked death metal stew cooked up by At The Plates!


For full track and merch links, visit their Bandcamp page here.



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